Institute of Philology of the Siberian Branch of Russian Academy of Sciences
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Table of Content of Issue 1, 2018

I. E. Loshchilov
Two notes on the poetics of Marina Tsvetaeva
In detail
R. S. Voitekhovich
On the Russian bezmernost’ of Tsvetaeva and Transmarine bezbrezhnost’ of Balmont
In detail
O. A. Skripova
The Leader Image in M. Tsvetaeva’s Autobiographical Myth (On the Basis of the Poem «On the Red Horse» and the Essay «Devil»)
In detail
N. V. Barkovskaya
«Word Unusual – an Old Woman...»: About One Mythologeme in M. Tsvetaeva’s Lyrics
In detail
N. V. Prodanik
The Image of the Modernist Reader in Russian Painting and Early Lyrics by M. Tsvetaeva
In detail
S. A. Akhmadeeva
«Foreign» (Quotes, Allusions and Reminiscences) as «Ours», and «Ours» (Self-Quotes and Self-Reminiscences) as «Foreign» in Marina Tsvetaeva’s Letters and Diary Texts
In detail
S. Yu. Kornienko
«Boris Savinkov Is My Brother»: The Poetics of Courtroom Procedure and Marina Tsveataeva’s Author’s Projections
In detail
T. I. Podkorytova
The Variations of Archaic Plot about Calling the Singer at the End of Mousikē Tradition («Ballada» by Vl. Khodasevich and Poem «Na Krasnom Kone» by M. Tsvetaeva)
In detail
N. O. Laskina
Marina Tsvetaeva and Anna de Noailles: The Possibilities of Dialogue
In detail
A. V. Podvornaya
«Roses of Tadema» (Alma-Tadema Lawrence in the Artistic Reception of I. Annensky)
In detail
V. V. Maroshi
Lyrical Rite of Self-Immolation in Russian Symbolist Theurgy
In detail
K. V. Anisimov
Bunin and the Tolstoy’s Paradigm of «Master and Man»: The «Snowstorm (Con)text» of the Philosophy of Subject
In detail
L. V. Mashtakova
The Three Philosophical and Critical Books by Vyacheslav Ivanov as the Artistic Unity and the Cultural and Philosophical Manifesto
In detail
A. E. Moskaleva
Harlequin and Pierrot in the Works of Rainer Maria Rilke
In detail
G. A. Zhilicheva
Theatralisation of the Narrative in Post-Symbolist Novels
In detail
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