Article

Name: Sight and hearing in the artistic world of S. D. Krzhizhanovsky

Authors: Alexey A. Manskov

Altai State University, Barnaul, Russian Federation

In the section Study of literature

Abstract:

The artistic consciousness of S. D. Krzhizhanovsky is characterized by creating unique mythology, with significant places occupied by sensory perception of reality: visual, auditory, tactile, olfactory, taste. Visual and auditory perceptions dominate due to their functionality: a person receives the information mainly through sight and hearing. The appeal to audiovisual themes in “Tales for prodigies” is determined by author’s biographical code (poor eyesight, lifelong passion for music) and the cultural context. The literature of the first third of the 20th century is rich in images associated with vision and hearing. On the one hand, Krzhizhanovsky follows the traditions of the “Silver Age”. On the other hand, his works feature common motifs of the works of contemporary writers. The similarity of motifs can be explained by the general spirit of the eve of world wars and revolutions. Sight and hearing become sacralized instruments of spiritual cognition. Sacralization of the senses is carried out through the interaction of auditory and visual codes with death. Death is the main semantic category in Krzhizhanovsky’s short stories and novels. Through the special sensory system, his characters manage to overcome the borders of the familiar world and perceive phenomena hidden from the ordinary eye, realizing the eschatological nature of the world and its apocalyptic nature. A new vision is like physical death to them because they can no longer perceive the world as before. Meanwhile, the world moves steadily toward destruction, with a new resurrection to life being absolutely impossible.

Keywords: perception of reality, vision sense, hearing, code, death

Bibliography:

Blok A. A. Soch.: V 6 t. [Works: In 6 vols.]. Moscow, Pravda, 1971, vol. 3, 414 p.

Ipatova N. G. Audiovizual’nyy aspekt sovetskoy kartiny mira v literature 1920–1930-kh godov [The audiovisual aspect of the Soviet picture of the world in the literature of the 1920s–1930s]. Cand. philol. sci. diss. Krasnoyarsk, 2010, 179 p.

Krzhizhanovskiy S. D. Soch.: V 6 t. [Works: In 6 vols.]. St. Petersburg, Symposium, 2001, vol. 1, 687 p., vol. 2, 702 p.; 2003, vol. 3, 777 p., 2010, vol. 5, 637 p.

Lavlinskiy S. P. Pozitsiya narratora i chitatelya v povesti Sigizmunda Krzhizhanovskogo “Avtobiograffiya trupa” [The position of the narrator and the reader in the novel by Sigismund Krzyzanowski “Autobiography of a corpse”]. RSUH Bulletin. Series: History. Philology. Cultural Studies. Oriental Studies. 2018, no. 2–2 (35), pp. 221–230.

Livskaya E. V. Filosofsko-esteticheskie iskaniya v proze S. D. Krzhizhanovskogo [Philosophical and aesthetic searches in the prose of S. D. Krzhizhanovsky]. Cand. philol. sci. diss. Moscow, 2009, 219 p.

Manskov A. A. Obrazy “stran, kotorykh net” v khudozhestvennom mire S. D. Krzhizhanovskogo: Monografiya [Images of “countries that do not exist” in the artistic world of S. D. Krzhizhanovsky: Monograph]. Barnaul, ASU Publ. House, 2018, 150 p.

Trubetskova E. G. Mir kak “dochka zreniya”: opyty “Ostraneniya” Sigizmunda Krzhizhanovskogo [The world as a “daughter of vision”: experiments of “Defamiliarization” by Sigismund Krzhizhanovsky]. Izvestiya of Saratov University. New Series. Series: Philology. Journalism. 2013, vol. 13, no. 4, pp. 61–66.

Trubetskova E. G. Motiv deformatsii zreniya v novellakh S. D. Krzhizhanovskogo [The motif of vision deformation in the short stories of S. D. Krzhizhanovsko]. In: Russkaya literatura XX–XXI vekov kak literaturnyy protsess (problemy teorii i metodologii izucheniya): Materialy VI Mezhdunar. nauch. konf. (Moskva, 18–19 dekabrya 2018 g.) [Russian literature of the 20th–21st centuries as a literary process (problems of theory and methodology of study): Proceedings of the VI International Scientific Conference. (Moscow, December 18–19, 2018).]. Moscow, Max Press, 2018, pp. 145–149.