Institute of Philology of the Siberian Branch of Russian Academy of Sciences
Monuments of Folklore Siberian Journal of Philology Critique and Semiotics
Yazyki i fol’klor korennykh narodov Sibiri Syuzhetologiya i Syuzhetografiya
Institute of Philology of
the Siberian Branch of
Russian Academy of Sciences
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DOI: 10.25205/2410-7883
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Syuzhetologiya i Syuzhetografiya (Studies in Theory of Literary Plot and Narratology)
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Article

Name: Yuri Sopov’s Poem “Arthur Rimbaud” (1919): Text and Contexts

Authors: Yu. P. Zarodova, N. O. Laskina, I. E. Loshchilov

State Regional Art Museum “Liberov Center”, Omsk, Russian Federation; “Otkrytaya kafedra” Education Center, Novosibirsk, Russian Federation; IPh SB RAS, Novosibirsk, Russian Federation; NSPU, Novosibirsk, Russian Federation

In the section Russian Literature of Siberia and the Far East: Plots and Destinies

Issue 1, 2021Pages 228-263
UDK: 821.161.1DOI: 10.25205/2410-7883-2021-1-228-263

Abstract: The article introduces publication of the full text of the narrative poem “Arthur Rimbaud” by the Omsk poet Yuri (Pyotr Ivanovich) Sopov (1897–1919), written shortly before his tragic death in the explosion at A.V. Kolchak’s residence on August 25 (or 26), 1919. The text previously had been known by fragments only, by virtue of quotations included in the newspaper obituary by the poet Georgy Maslov, who briefly survived Sopov. A number of details allow us to conclude that Sopov is fairly accurate when rendering facts of Rimbaud’s life and must have been familiar with the French poet’s biography, not just with echoes of the legend. Therefore, the numerous occasions in the poem, where he prefers fiction over fact, should be considered as the result of a deliberate choice. In the perception of contemporaries, the image of the author of the poem partially merged with the mythologized image of its hero. First of all, this concerns poets of the circle of the Omsk literary and artistic association “Chervonnaya Troika” and writers close to the group “Pamir” (“Siberian brigade”). The poet Leonid Martynov (1905–1980) repeatedly turned to the image of Rimbaud, translated his poems, compared his image, biography and character to his own, in poetry and in prose. The article shows that the perception of the French poet in Martynov’s creative laboratory during his long career was mediated by the memory of Yuri Sopov’s poem.

Keywords: Anton Sorokin, Arthur Rimbaud, Georgy Maslov, group “Chervonnaya Troika”, Leonid Martynov, Siberian literature, Yuri Sopov

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